Now you're stuck on my body, on my body, like a tatooĪnd now I'm feeling stupid, feeling stupid, coming back to you You and I get sick, yeah I know that we can't do this no moreīut baby there you go again, there you go again, making me love youĪnd I stop using my head, using my head, let it all go You and I get so damn dysfunctional we start keeping score You and I go rough, we keep throwing things and slamming the door Jazz Lesson: Bebop Line Building, nyjazzacademy.You and I go hard at each other like we're going to war.J.Brent / S.Barkley, Modalogy – scales, modes & chords: the primordial building blocks of music, Hal Leonard Corp.Randy Halberstadt, Metaphors For The Musician, Sher Music Co.Mark Levine, The Jazz Theory Book, Sher Music Co.Mark Levine, The Drop 2 Book, Sher Music Co.David Baker, Arranging and Composing, Alfred.David Baker, Jazz Improvisation, Alfred.Scott Black, How to Understand, Practice, and Use.The Barry Harris Harmonic Method for Guitar. ^ "C Bebop Minor Scale | Piano Improvisation and Composition Lessons".^ "C major scale, piano keys and guitar tab".Complete Idiot's Guide to Solos and Improvisation, p. The remaining tones in the scale occurring on the upbeat.Īs such, many heptatonic scales may be modified by the addition of an eighth passing tone to accomplish this same effect however, the modifier "bebop" is reserved to indicate those scales most frequently used-and popularised-during the bebop era. In general, bebop scales consist of traditional scales with an added passing tone, and when the scale is begun on a chord tone and on the downbeat, all other chord tones will also fall on downbeats. These artists include Charlie Christian, Charlie Parker, Lester Young, and Dizzy Gillespie, to name a few." Barry Harris builds these scales from two unrelated 4-note chords, which gives them their names in his system. According to Corey Christiansen, " David Baker, one of the world's finest jazz educators, named these scales the 'bebop scales' because they were used so often by jazz artists from the Bebop Era. These scales are most often used by David Baker and Barry Harris as a tool to teach jazz improvisation. These are frequently used in jazz improvisation and are derived from the modes of the major scale, the melodic minor scale, and the harmonic minor scale. Bebop scale is a term referring to common seven-note scales that have an added chromatic passing note.
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